update to named parameters ← Previous revision Revision as of 22:58, 3 May 2026 Line 6: Line 6: {{WikiProject Libraries |importance=Mid}} {{WikiProject Libraries |importance=Mid}} }} }} {{afd-merged-from|Teaching Shakespeare Institute|Teaching Shakespeare Institute|21 May 2016}} {{afd-merged-from|Teaching Shakespeare Institute|discuss=Teaching Shakespeare Institute|date=21 May 2016|merged_date=}} ==Untitled== ==Untitled==

update to named parameters ← Previous revision Revision as of 22:58, 3 May 2026 Line 3: Line 3: {{WikiProject Italy}} {{WikiProject Italy}} }} }} {{afd-merged-from|Liga dei Veneti|Liga dei Veneti|22 October 2022}} {{afd-merged-from|Liga dei Veneti|discuss=Liga dei Veneti|date=22 October 2022|merged_date=}}

Behavior: Removing a reference to deleted content (shorthands section does not exist) ← Previous revision Revision as of 22:58, 3 May 2026 Line 209: Line 209: Experienced AfD participants re-visit discussions that they have already participated in. They are looking for new facts, evidence or changes to the article which might change their initial conclusion. In this situation, strike through your previous comment using <s>...</s> (if you are changing your mind) or to explicitly comment "no change" to confirm that you have considered the new evidence but remain unconvinced. Experienced AfD participants re-visit discussions that they have already participated in. They are looking for new facts, evidence or changes to the article which might change their initial conclusion. In this situation, strike through your previous comment using <s>...</s> (if you are changing your mind) or to explicitly comment "no change" to confirm that you have considered the new evidence but remain unconvinced. Please remember that AfD is a busy and repetitive place. The people who volunteer to work the AfD process may seem terse, gruff and abrupt. They are not (usually) being intentionally rude. We value [[Wikipedia:Civility|civility]] and always try to [[Wikipedia:Assume good faith|assume good faith]]. However, often over a hundred articles are nominated for deletion each day. Experienced [[Wikipedia:Wikipedian|Wikipedians]] have been through thousands of deletion discussions and have read and thought through many of the same arguments many times before. For speed, some employ shorthands (described in the {{section link|#Shorthands}} section below) rather than typing out the same reasoning and arguments again and again. They are trying to be efficient, not rude. Please remember that AfD is a busy and repetitive place. The people who volunteer to work the AfD process may seem terse, gruff and abrupt. They are not (usually) being intentionally rude. We value [[Wikipedia:Civility|civility]] and always try to [[Wikipedia:Assume good faith|assume good faith]]. However, often over a hundred articles are nominated for deletion each day. Experienced [[Wikipedia:Wikipedian|Wikipedians]] have been through thousands of deletion discussions and have read and thought through many of the same arguments many times before. For speed, some employ shorthands rather than typing out the same reasoning and arguments again and again. They are trying to be efficient, not rude. Accusations of [[WP:VAIN|vanity]] and other motives should be avoided as they are not in themselves reasons for deletion or merging. The argument "[[WP:NPOV|non-neutral point of view]]" is often used, but often such articles can be salvaged, so this is not a very strong reason for deletion or merging either. Accusations of [[WP:VAIN|vanity]] and other motives should be avoided as they are not in themselves reasons for deletion or merging. The argument "[[WP:NPOV|non-neutral point of view]]" is often used, but often such articles can be salvaged, so this is not a very strong reason for deletion or merging either.

fixing infobox and removing deprecated parameters; Cleaning up syntax using indent.js ← Previous revision Revision as of 22:58, 3 May 2026 Line 3: Line 3: {{Use American English|date=April 2023}} {{Use American English|date=April 2023}} {{Infobox military person {{Infobox military person | name = Dale R. White | name = Dale R. White | image = Gen Dale R. White.jpg | image = Gen Dale R. White.jpg | image_size = | image_size = | alt = | alt = | caption = Official portrait, 2026 | caption = Official portrait, 2026 | nickname = | nickname = | birth_date = {{circa|{{birth year and age|1971}}}} | birth_date = {{circa|{{birth year and age|1971}}}} | birth_place = | birth_place = | death_date = | death_date = | death_place = | death_place = | placeofburial = | burial_place = | allegiance = United States | allegiance = United States | branch = [[United States Air Force]] | branch = [[United States Air Force]] | branch_label = Branch | branch_label = Branch | serviceyears = 1997–present | service_years = 1997–present | rank = [[General (United States)|General]] | rank = [[General (United States)|General]] | servicenumber = | service_number = | unit = | unit = | commands = | commands = | battles = [[Iraq War]] | battles = [[Iraq War]] | alma_mater = [[Dallas Baptist University]]([[Bachelor of Business Administration|BBA]])<br/>[[University of New Mexico]]([[Master of Business Administration|MBA]]) | alma_mater = [[Dallas Baptist University]]([[Bachelor of Business Administration|BBA]])<br/>[[University of New Mexico]]([[Master of Business Administration|MBA]]) | awards = [[Legion of Merit]] | awards = [[Legion of Merit]] | relations = | relations = | laterwork = | other_work = }} }} '''Dale R. White''' (born {{circa|1971}}) is a [[United States Air Force]] [[General (United States)|general]] who has served as the direct reporting portfolio manager for Critical Major Weapon Systems Programs since 19 December 2025. He previously served as the military deputy to the [[Assistant Secretary of the Air Force (Acquisition, Technology and Logistics)|assistant secretary of the Air Force for acquisition, technology and logistics]] from December 2023 to December 2025. Prior to that, he served as the program executive officer for fighters and advanced aircraft.<ref>{{Cite web|url=https://www.af.mil/About-Us/Biographies/Display/Article/2268058/dale-r-white/https://www.af.mil/About-Us/Biographies/Display/Article/2268058/dale-r-white/|title=DALE R. WHITE|website=www.af.mil}}{{dead link|date=March 2025|bot=medic}}{{cbignore|bot=medic}}</ref> '''Dale R. White''' (born {{circa|1971}}) is a [[United States Air Force]] [[General (United States)|general]] who has served as the direct reporting portfolio manager for Critical Major Weapon Systems Programs since 19 December 2025. He previously served as the military deputy to the [[Assistant Secretary of the Air Force (Acquisition, Technology and Logistics)|assistant secretary of the Air Force for acquisition, technology and logistics]] from December 2023 to December 2025. Prior to that, he served as the program executive officer for fighters and advanced aircraft.<ref>{{Cite web|url=https://www.af.mil/About-Us/Biographies/Display/Article/2268058/dale-r-white/https://www.af.mil/About-Us/Biographies/Display/Article/2268058/dale-r-white/|title=DALE R. WHITE|website=www.af.mil}}{{dead link|date=March 2025|bot=medic}}{{cbignore|bot=medic}}</ref>

update to named parameters ← Previous revision Revision as of 22:58, 3 May 2026 Line 3: Line 3: {{WikiProject Firearms|importance=Low}} {{WikiProject Firearms|importance=Low}} }} }} {{afd-merged-from|Sturmgewehr 58|Sturmgewehr 58|21 August 2010}} {{afd-merged-from|Sturmgewehr 58|discuss=Sturmgewehr 58|date=21 August 2010|merged_date=}} {{User:MiszaBot/config {{User:MiszaBot/config |archiveheader = {{talkarchivenav|noredlinks=y}} |archiveheader = {{talkarchivenav|noredlinks=y}}

← Previous revision Revision as of 22:58, 3 May 2026 Line 5: Line 5: |caption = Alexandr Fier in 2023 |caption = Alexandr Fier in 2023 |birthname = Alexandr Hilário Takeda Sakai dos Santos Fier |birthname = Alexandr Hilário Takeda Sakai dos Santos Fier |native_name= [[Japanese language|jp:]] {{nihongo|Takeda Sakai|武田坂井}}<br>[[Portuguese language|pt:]] Hilário dos Santos |native_name= [[Japanese language|Japanese:]] {{nihongo|Takeda Sakai|武田坂井}}<br>[[Portuguese language|Portuguese:]] Hilário dos Santos |country = [[Brazil]] |country = [[Brazil]] |birth_date = {{Birth date and age|1988|3|11|df=y}} |birth_date = {{Birth date and age|1988|3|11|df=y}} Line 18: Line 18: }} }} '''Alexandr Hilário Takeda Sakai dos Santos Fier''' (born 11 March 1988) is a Brazilian [[chess]] [[Grandmaster (chess)|grandmaster]]. He competed in the [[FIDE World Cup]] in 2009, 2011, 2013, 2015, 2017, and 2023. '''Alexandr Hilário Takeda Sakai dos Santos Fier''' ([[Japanese language|Japanese]]: 酒井武田; born 11 March 1988) is a Brazilian [[chess]] [[Grandmaster (chess)|grandmaster]]. He competed in the [[FIDE World Cup]] in 2009, 2011, 2013, 2015, 2017, and 2023. ==Career== ==Career==

Deleted ← Previous revision Revision as of 22:58, 3 May 2026 Line 9: Line 9: * "Seein' Double", a 2014 song by Nikki Lane from ''[[All or Nothin' (Nikki Lane album)|All or Nothin']]'' * "Seein' Double", a 2014 song by Nikki Lane from ''[[All or Nothin' (Nikki Lane album)|All or Nothin']]'' * ''[[Double_Dutchess#Double_Dutchess:_Seeing_Double|Double Dutchess: Seeing Double]]'', a 2017 visual album by Fergie * ''[[Double_Dutchess#Double_Dutchess:_Seeing_Double|Double Dutchess: Seeing Double]]'', a 2017 visual album by Fergie * [[Seeing Double (manhwa)|''Seeing Double'' (manhwa)]], a 2020 South Korean manhwa by Lily * [[Diplopia]] or double vision, the simultaneous perception of two images of a single object * [[Diplopia]] or double vision, the simultaneous perception of two images of a single object

update to named parameters ← Previous revision Revision as of 22:58, 3 May 2026 Line 1: Line 1: {{afd-merged-from|K. Sedghi|K. Sedghi|28 December 2012}} {{afd-merged-from|K. Sedghi|discuss=K. Sedghi|date=28 December 2012|merged_date=}} {{WikiProject banner shell|class=C| {{WikiProject banner shell|class=C|

← Previous revision Revision as of 22:58, 3 May 2026 Line 15: Line 15: | runtime = 19 minutes | runtime = 19 minutes | company = {{ubl|[[Scott Sternberg|Scott Sternberg Productions]]|[[Trifecta Entertainment & Media]]}} | company = {{ubl|[[Scott Sternberg|Scott Sternberg Productions]]|[[Trifecta Entertainment & Media]]}} | network = [[Broadcast syndication|Syndication]] | network = [[First-run syndication]] | first_aired = {{Start date|2022|9|12}} | first_aired = {{Start date|2022|9|12}} | last_aired = present | last_aired = present

← Previous revision Revision as of 22:58, 3 May 2026 Line 53: Line 53: ==== Resumption of hostilities ==== ==== Resumption of hostilities ==== Political opposition to Skoropadsky materialized in the form of the Ukrainian National Union, led by Vynnychenko, which began to prepare a rebellion.{{sfn|Yekelchyk|2007|p=75}} With the capitulation of the Central Powers in November and the impending withdrawal, Skoropadsky pandered to the [[Allies of World War I|Allies]] and issued a manifesto proclaiming a federation with a future non-Bolshevik Russia.{{sfn|Yekelchyk|2007|p=75}} This incited the [[Anti-Hetman Uprising]] led by the [[Directorate of Ukraine|Directorate]] under two rival members of the USDRP, the ultra-socialist Vynnychenko and the more nationalistic Petliura, and supported by the [[Sich Riflemen]].{{sfn|Yekelchyk|2007|pp=75,79}} The Directorate's forces entered Kyiv in December and re-established the UPR, while Skoropadsky's [[Hetmanite movement]] went into exile.{{sfn|Yekelchyk|2007|p=79}}{{sfn|Wilson|1996|pp=43-44}} The Directorate engaged in [[nation-building]], establishing [[Ukrainian language|Ukrainian]] as the official language of the UPR and proclaiming the independence of the [[Orthodox Church of Ukraine]].{{sfn|Yekelchyk|2007|p=79}} Initially Chairman of the Directorate, Vynnychenko resigned after the [[Battle of Kiev (January 1919)|fall of Kyiv]] in February 1919 and was replaced by Petliura.{{sfn|Yekelchyk|2007|p=80}} Directorate troops committed 40% of the recorded [[Pogroms during the Russian Civil War|anti-Jewish pogroms during the Russian Civil War]], leading to Petliura being branded in [[Western world|the West]] as a violent [[Antisemitism in Ukraine|antisemite]].{{sfn|Yekelchyk|2007|p=81}} Political opposition to Skoropadsky materialized in the form of the Ukrainian National Union, led by Vynnychenko, which began to prepare a rebellion.{{sfn|Yekelchyk|2007|p=75}} With the capitulation of the Central Powers in November and the impending troop withdrawal, Skoropadsky pandered to the [[Allies of World War I|Allies]] and issued a manifesto proclaiming a federation with a future non-Bolshevik Russia.{{sfn|Yekelchyk|2007|p=75}} This incited the [[Anti-Hetman Uprising]] led by the [[Directorate of Ukraine|Directorate]] under two rival members of the USDRP, the ultra-socialist Vynnychenko and the more nationalistic Petliura, and supported by the [[Sich Riflemen]].{{sfn|Yekelchyk|2007|pp=75,79}} The Directorate's forces entered Kyiv in December and re-established the UPR, while Skoropadsky's [[Hetmanite movement]] went into exile.{{sfn|Yekelchyk|2007|p=79}}{{sfn|Wilson|1996|pp=43-44}} The Directorate engaged in [[nation-building]], establishing [[Ukrainian language|Ukrainian]] as the official language of the UPR and proclaiming the independence of the [[Orthodox Church of Ukraine]].{{sfn|Yekelchyk|2007|p=79}} Initially Chairman of the Directorate, Vynnychenko resigned after the [[Battle of Kiev (January 1919)|fall of Kyiv]] in February 1919 and was replaced by Petliura.{{sfn|Yekelchyk|2007|p=80}} Directorate troops committed 40% of the recorded [[Pogroms during the Russian Civil War|anti-Jewish pogroms during the Russian Civil War]], leading to Petliura being branded in [[Western world|the West]] as a violent [[Antisemitism in Ukraine|antisemite]].{{sfn|Yekelchyk|2007|p=81}} [[Image:Map of Ukraine (postcard 1919).jpg|thumb|upright=1.1|Territory that was [[Greater Ukraine|claimed by Ukraine]] according to a postcard from 1919]] [[Image:Map of Ukraine (postcard 1919).jpg|thumb|upright=1.1|Territory that was [[Greater Ukraine|claimed by Ukraine]] according to a postcard from 1919]]

← Previous revision Revision as of 22:58, 3 May 2026 Line 20: Line 20: Lines 9–11 introduce a [[Bible|biblical]] reference to [[Abraham]]. By recalling [[Divinity|divine]] assistance granted to [[Abraham]] against hostile kings, Sarra aligns her own situation with a sacred precedent. However, she acknowledges that her example is “unequal,” emphasizing humility while requesting similar support. This balance between confidence and modesty strengthens her moral authority. The biblical allusion also reinforces the poem’s religious framework, positioning the debate within a tradition of faith tested through adversity.<ref name=":0" /> Lines 9–11 introduce a [[Bible|biblical]] reference to [[Abraham]]. By recalling [[Divinity|divine]] assistance granted to [[Abraham]] against hostile kings, Sarra aligns her own situation with a sacred precedent. However, she acknowledges that her example is “unequal,” emphasizing humility while requesting similar support. This balance between confidence and modesty strengthens her moral authority. The biblical allusion also reinforces the poem’s religious framework, positioning the debate within a tradition of faith tested through adversity.<ref name=":0" /> In lines 12–14, the poem shifts toward the act of writing. Sarra describes her ink as sufficient to demonstrate divine power, transforming her authorship into a symbolic weapon. This metaphor emphasizes that her response to accusation is literary rather than confrontational. By presenting writing as a form of defense, the poem highlights the true public nature of [[intellectual]] discourse in early modern [[Venice]]. The closing lines therefore connect [[Spirituality|spiritual]] faith with literary expression, suggesting that the written word can serve as both [[testimony]] and protection. <ref>Shemek, Deanna. “Sarra Copia Sulam: Jewish Poet and Intellectual in Seventeenth-Century Venice Ed. by Don Harrán (Review).” ''Nashim : A Journal of Jewish Women’s Studies & Gender Issues'', vol. 25, no. 1, 2013, pp. 147–50.</ref> In lines 12–14, the poem shifts toward the act of writing. Sarra describes her ink as sufficient to demonstrate divine power, transforming her authorship into a direct response to [[Baldassarre Bonifacio|Bonifacio’s]] use of print. This metaphor emphasizes that her response to accusation is literary rather than confrontational. By presenting writing as a form of defense, the poem highlights the true public nature of [[intellectual]] discourse in early modern [[Venice]]. The closing lines therefore connect [[Spirituality|spiritual]] faith with literary expression, suggesting that the written word can serve as both [[testimony]] and protection. In doing so, the poem reflects a broader concern with how publication can shape reputation and authority. <ref>Shemek, Deanna. “Sarra Copia Sulam: Jewish Poet and Intellectual in Seventeenth-Century Venice Ed. by Don Harrán (Review).” ''Nashim : A Journal of Jewish Women’s Studies & Gender Issues'', vol. 25, no. 1, 2013, pp. 147–50.</ref> === Significance === === Significance === "With Your Escort" illustrates how [[Sarra Copia Sullam]] used poetry to respond to theological accusations and defend her reputation. The sonnet reflects broader tensions within early modern [[Venice]], where intellectual exchange occurred alongside strict religious boundaries. By combining humility, [[Bible|biblical]] reference, and [[Anthony Martial|martial]] imagery, the poem uses faith and authorship as forms of resistance. Scholars have interpreted this work as an example of how literary expression allowed marginalized voices to participate in [[public debate]]. The poem therefore contributes to understanding the role of women writers and Jewish [[Intellectual|intellectuals]] in seventeenth-century [[Venice]].<ref name=":1" /> "With Your Escort" illustrates how [[Sarra Copia Sullam]] used poetry to respond to theological accusations and defend her reputation. The sonnet reflects broader tensions within early modern [[Venice]], where intellectual exchange occurred alongside strict religious boundaries. By combining humility, [[Bible|biblical]] reference, and martial imagery, the poem uses faith and authorship as forms of resistance. Scholars have interpreted this work as an example of how literary expression allowed marginalized voices to participate in public debate. The poem therefore contributes to understanding the role of women writers and Jewish [[Intellectual|intellectuals]] in seventeenth-century [[Venice]].<ref name=":1" /> === Sonnet === === Sonnet ===

update to named parameters ← Previous revision Revision as of 22:58, 3 May 2026 Line 2: Line 2: {{WikiProject Computing|importance=|hardware=yes|hardware-importance=}} {{WikiProject Computing|importance=|hardware=yes|hardware-importance=}} }} }} {{afd-merged-from|Fly Fusion Pentop Computer|Fly Fusion Pentop Computer|09 December 2011|date=December 2011}} {{afd-merged-from|Fly Fusion Pentop Computer|discuss=Fly Fusion Pentop Computer|date=09 December 2011|merged_date=}} ==Untitled== ==Untitled==