← Previous revision Revision as of 10:14, 4 May 2026 Line 36: Line 36: | registration_plate = 02 | registration_plate = 02 | blank_name_sec2 = [[Human Development Index|HDI]] (2017) | blank_name_sec2 = [[Human Development Index|HDI]] (2017) | blank_info_sec2 = 0.755<ref name="GlobalDataLab">{{Cite web|url=https://hdi.globaldatalab.org/areadata/shdi/|title=Sub-national HDI - Area Database - Global Data Lab|website=hdi.globaldatalab.org|language=en|access-date=2018-09-13}}</ref><br />{{color|#0c0|high}} · [[List of districts of Kosovo by Human Development Index|2nd]] | blank_info_sec2 = 0.802<br />{{color|darkgreen|very high}} · [[List of districts of Kosovo by Human Development Index|2nd]] }} }}

Issue with submission form: new section ← Previous revision Revision as of 10:14, 4 May 2026 Line 257: Line 257: </syntaxhighlight> or similar be warranted within the {{code|errorsFromPageData()}} function? Courtesy ping {{U|SD0001}}. Best, [[User:Sam Sailor|Sam]] [[User talk:Sam Sailor|Sailor]] 07:52, 24 March 2026 (UTC) </syntaxhighlight> or similar be warranted within the {{code|errorsFromPageData()}} function? Courtesy ping {{U|SD0001}}. Best, [[User:Sam Sailor|Sam]] [[User talk:Sam Sailor|Sailor]] 07:52, 24 March 2026 (UTC) :Makes sense. We could also submit the redirect target directly. – [[User:SD0001|<span style="font-weight: bold; color: #D79">SD0001</span>]] ([[User talk:SD0001|talk]]) 06:44, 25 March 2026 (UTC) :Makes sense. We could also submit the redirect target directly. – [[User:SD0001|<span style="font-weight: bold; color: #D79">SD0001</span>]] ([[User talk:SD0001|talk]]) 06:44, 25 March 2026 (UTC) == Issue with submission form == SARAKKALVILAI Sarakkalvilai is a village situated in the Kanyakumari District—the southernmost extremity of the state of Tamil Nadu, India—and is identified by the postal code 629002. It is a picturesque village that is home to a renowned tourist attraction: the Arulmigu Devi Sri Mutharamman Temple. Etymology The name "Sarakkalvilai" reflects the inherent nature of its soil. From a geological perspective, the term "Sarakkal"—a component of the village's name—denotes a specific type of soil. The subsoil in this region naturally consists of gravelly soil (a composition of red soil, laterite nodules, and stones formed by the combination of these elements). The suffix "Vilai" signifies *vilainilam* (cultivable land) or a garden—specifically, a fertile tract of land suitable for cultivating and nurturing a diverse range of crops. These aforementioned factors are the primary reasons why this village came to be known as Sarakkalvilai. Geography The scenic village of Sarakkalvilai is situated within the Nagercoil Corporation limits in the Kanyakumari District, located in Tamil Nadu—India's southernmost state. It is situated approximately 17 kilometers from the Kanyakumari coastline, 3 kilometers from the city of Nagercoil, 70 kilometers from the city of Tirunelveli, and roughly 85 kilometers from the city of Thiruvananthapuram. Sarakkalvilai is renowned for the Arulmigu Devi Sri Mutharamman Temple; indeed, this temple stands as a prominent landmark within the Kanyakumari District. This temple holds a unique distinction across India, as it is dedicated to two goddesses—Mutharamman (depicted as a young maiden embodying purity) and Bhadrakali Amman—each housed within its own separate sanctum sanctorum. The complex, comprising both the sanctum sanctorum and the surrounding fortress structure, is collectively known as the Arulmigu Devi Sri Mutharamman Temple. This sacred shrine boasts a history spanning over 100 years. **Language** Tamil serves as both the official and mother tongue of the village of Sarakkalvilai. The dialect of Tamil spoken by the locals here is known to be slightly infused with Malayalam influences. At times, the Tamil spoken by the residents is such that it is not easily understood by Tamil speakers residing north of the Nellai district. Furthermore, the customs and culture of the villagers continue, to this day, to represent a unique blend of both Tamil and Kerala traditions. The majority of the population in Sarakkalvilai follows the Hindu faith. Food The culinary practices—specifically the dishes cooked and consumed by the people of Sarakkalvilai—also reflect a fusion of Tamil and Kerala traditions. These food items include *Puttu*, *Appam*, *Idiyappam*, *Ulunthan Soru* (Black Gram Rice), and Fish Curry. Popular snacks and treats include *Suthu Murukku*, *Achu Murukku*, *Karupatti Palagaram* (Jaggery-based sweets), *Mundhirikothu*, and many others. The villagers make extensive use of coconut and coconut oil in their daily cooking. Family Deity The *Kula Deivam* (family deity) of the people of Sarakkalvilai is Devi Sri Mutharamman. Mutharamman—along with Bhadrakali Amman—represents the youthful, maiden form of Goddess Parvati (Korravai), embodying the essence of her virginity. In this sacred shrine, the Goddess is revered and addressed by a multitude of names. These include Devi Parvati, Devi Bala Parameswari, Vada Bhadrakali (the Goddess facing North), Guru Puja Kali, Devi Bhagavathi, Devi Mutharamman, and several others. (The beautiful Tamil term "Devi" conveys the specific meaning of a woman's "virginity" or maidenhood). However, the people of Sarakkalvilai affectionately refer to Devi Bala Parameswari as "Periyamma" (The Great Mother), a name imbued with deep love and reverence. When the villagers meditate upon the Goddess and offer their prayers, they are occasionally overcome with such intense emotion that they shed tears and weep in devotion. **Festivals** Four major festivals are celebrated with great grandeur in the temples located within the village of Sarakkalvilai. The first festival of the year is celebrated in the month of Chithirai, the second in Aadi, the third in Purattasi, and the fourth in Karthigai. Every year, on the Monday immediately preceding the final Tuesday of the month of Chithirai, a grand *Kodai Vizha* (temple festival) is celebrated exclusively at the Arulmigu Devi Sri Mutharamman Temple. In the month of Aadi, on the final Friday of the month, a *Kodai Vizha* is celebrated with great enthusiasm at the Arulmigu Sudalaimada Swamy Temple. During the Navaratri festival in the month of Purattasi, devotees worship the Goddess with immense piety at the Arulmigu Devi Sri Mutharamman Temple, keeping her seated in *Koluvu* (ceremonial court) for ten days. Furthermore, on the tenth day at noon, a delicious vegetarian feast is served to the entire community, bringing the festival to a fitting conclusion. In the month of Karthigai, on the final Tuesday of the month, a special *Kodai Vizha* is conducted for the Goddess at the Arulmigu Devi Sri Mutharamman Temple. Additionally, the youth of the village come together every year to celebrate the festivals of Pongal and Deepavali (the Festival of Lights) with great fervor and spirit. During these festivals, sports competitions and cultural programs are organized for children, who are subsequently awarded prizes and felicitated for their participation. Population and Literacy According to the Census of India conducted by the Government of India in 2011, the total population of Sarakkalvilai village stands at 1,369. Of this total population, males constitute 51.5 percent, while females constitute 48.5 percent. Sarakkalvilai boasts a 100 percent literacy rate among its residents. This figure stands in comparison to the overall literacy average of Tamil Nadu, which is 82.4 percent. In this village, 3 percent... Government School The residents of Sarakkalivilai united to donate a property—which they had collectively purchased and utilized through their own contributions—for the purpose of establishing a school. Consequently, a Government Primary School was constructed on this site, and it continues to function with excellence to this day. Library The "Indian Republic Library" (*Bharatha Kudiyarasu Vasagasalai*) was established in Sarakkalivilai and was officially registered as Registration No. 983 with the Travancore-Cochin Library Association on October 14, 1950. Furthermore, the fact that the Honorable K. Kamarajar—the former Chief Minister of Tamil Nadu—graced the 18th Annual Day celebrations held on December 22, 1968, continues to be a source of great pride for us today. We continue to utilize this library today, preserving its original heritage and character. Through this institution, the residents of Sarakkalivilai and the general public are able to enhance their general knowledge and excel in their educational pursuits. Cooperative Credit Society For the Y-183 PACCS (Primary Agricultural Cooperative Credit Society) established in Sarakkalivilai, 12 cents of land were donated on behalf of the village community; the said society continues to operate from this very location. Anganwadi Center The women of Sarakkalivilai united to form an organization known as the "Sarakkalivilai Women's Association" (*Sarakkalivilai Madhar Sangam*). They established an Anganwadi center on a property that they had collectively purchased and utilized through their own contributions; this Anganwadi center continues to function with excellence to this day. Ration Shop A Ration Shop operates in Sarakkalivilai under the administration of the Y-183 PACCS established within the village. The land upon which the Ration Shop is situated was also donated by the residents of Sarakkalivilai. **Gardening and Agriculture** The primary crops cultivated and harvested annually in Sarakkalvilai are coconut, banana, and tapioca. (Paddy cultivation was discontinued several years ago.) Although the irrigation canals and river—originally constructed by the government for irrigation purposes during the reign of the King of Travancore, Mr. Rama Varma—have fallen into disrepair due to continuous human encroachment, the landowners of Sarakkalvilai—who possess a deep passion for agriculture—continue to meticulously maintain their lands and gardens. At their own expense, they persist in their farming efforts to this day, successfully yielding bountiful harvests. Thanks to these commendable efforts, Sarakkalvilai continues to stand as a picturesque, lush green village, radiating natural beauty. Administration President Mr. R. SathiaRuban Vice President Mr. N. Sadhasivam Secretary Mr. S. Vaikundaraja Treasurer Mr. A. Sivakumar Accountant Mr. B. Abinesh Temples Arulmigu Devi Sri Mutharamman Temple Arulmigu Sudalaimadan Swami Temple Ayya Narayana Swami Temple Arulmigu Padanthal Sri Suyambuliga Swami Temple Nearby Villages Keezhasarakkalvilai Vedakarakudiyiruppu Velladichivilai Kannankulam Vallankumaranvilai Irulappapuram Vattavilai Keezha Vannanvilai Recent Event On Sunday, February 17, 2019, the residents of Sarakkalvilai paid a heroic tribute and observed a five-minute silent homage in honor of the 44 paramilitary personnel who attained martyrdom during the Pulwama terrorist attack.

Further reading ← Previous revision Revision as of 10:14, 4 May 2026 Line 81: Line 81: {{refbegin}} {{refbegin}} * {{cite journal|last=Abramović|first=Vladimir|title=ПРИЛОЗИ ИСТРАЖИВАЊУ УЧЕШЋА СРПСКЕ (РАЦКЕ) И УГАРСКЕ МИЛИЦИЈЕ У РАТОВИМА ПОЗНОГ 17. И РАНОГ 18. ВЕКА|journal=БЕОГРАДСКИ ИСТОРИЈСКИ ГЛАСНИК|volume=11|year=2020|pp=127-141|url=https://www.ceeol.com/search/article-detail?id=1299826|via=CEEOL}} * {{cite journal|last=Abramović|first=Vladimir|title=ПРИЛОЗИ ИСТРАЖИВАЊУ УЧЕШЋА СРПСКЕ (РАЦКЕ) И УГАРСКЕ МИЛИЦИЈЕ У РАТОВИМА ПОЗНОГ 17. И РАНОГ 18. ВЕКА|journal=БЕОГРАДСКИ ИСТОРИЈСКИ ГЛАСНИК|volume=11|year=2020|pp=127-141|url=https://www.ceeol.com/search/article-detail?id=1299826|via=CEEOL}} ⚫ * {{cite journal|last1=Đokić|first1=Nebojša|last2=Radovanović|first2=Radovan|title=Борбе на Косову и Метохији и Јужној Србији 1689–1690. годинe: оглед из српске војне историје|journal=Записи: годишњак Историјског архива Пожаревац|volume=10|year=2021|pp=113-129|url=https://jakov.kpu.edu.rs/handle/123456789/1877?locale-attribute=en}} ⚫ * {{cite journal|last=Đokić|first=Nebojša|year=2008|title=Ратне операције у јужној и старој Србији и Маћедонији 1689 – 1690. године|journal=Лесковачки зборник|volume=XLVIII|publisher=Лесковац|pp=49-78|url=https://muzejleskovac.rs/wp-content/uploads/2019/07/zbornik-48-LVIII-2008.pdf}} * {{cite book|last=Hochedlinger|first=Michael|year=2013|title=Austria's Wars of Emergence: War, State and Society in the Habsburg Monarchy, 1683–1797|location=London & New York|publisher=Routledge|isbn=978-1-317-88793-5|url=https://books.google.com/books?id=qbpACwAAQBAJ}} * {{cite book|last=Hochedlinger|first=Michael|year=2013|title=Austria's Wars of Emergence: War, State and Society in the Habsburg Monarchy, 1683–1797|location=London & New York|publisher=Routledge|isbn=978-1-317-88793-5|url=https://books.google.com/books?id=qbpACwAAQBAJ}} * {{cite journal|last=Höbelt|first=Lothar|title=From Slankamen to Zenta: The Austrian War Effort in the East during the 1690s|journal=The Treaties of Carlowitz (1699): Antecedents, Course and Consequences|publisher=Brill|year=2020|pp=153–175}} * {{cite journal|last=Höbelt|first=Lothar|title=From Slankamen to Zenta: The Austrian War Effort in the East during the 1690s|journal=The Treaties of Carlowitz (1699): Antecedents, Course and Consequences|publisher=Brill|year=2020|pp=153–175}} Line 86: Line 88: * {{cite book|last=Katić|first=Tatjana|chapter=Walking through the ravaged City: An Eyewitness Testimony to Demolition of the Belgrade Fortress in 1690|title=Belgrade: 1521-1867|year=2018|location=Belgrade|publisher=The Institute of History|pages=79–99|chapter-url=http://rih.iib.ac.rs/1020}} * {{cite book|last=Katić|first=Tatjana|chapter=Walking through the ravaged City: An Eyewitness Testimony to Demolition of the Belgrade Fortress in 1690|title=Belgrade: 1521-1867|year=2018|location=Belgrade|publisher=The Institute of History|pages=79–99|chapter-url=http://rih.iib.ac.rs/1020}} * {{cite book|last=Pešalj|first=Jovan|chapter=Early 18th-Century Peacekeeping: How Habsburgs and Ottomans Resolved Several Border Disputes after Karlowitz|title=Empires and Peninsulas: Southeastern Europe between Karlowitz and the Peace of Adrianople, 1699–1829|year=2010|location=Berlin|publisher=LIT Verlag|pages=29–42|isbn=978-3-643-10611-7 |chapter-url=https://books.google.com/books?id=Cz7pbGvCqhwC}} * {{cite book|last=Pešalj|first=Jovan|chapter=Early 18th-Century Peacekeeping: How Habsburgs and Ottomans Resolved Several Border Disputes after Karlowitz|title=Empires and Peninsulas: Southeastern Europe between Karlowitz and the Peace of Adrianople, 1699–1829|year=2010|location=Berlin|publisher=LIT Verlag|pages=29–42|isbn=978-3-643-10611-7 |chapter-url=https://books.google.com/books?id=Cz7pbGvCqhwC}} * {{cite journal|last=Tričković|first=Radmila|title=Лесковац у Великом рату|trans-title=Leskovac in the Great War|journal=Лесковачки зборник|volume=18|year=1978|url=https://muzejleskovac.rs/leskovacki-zbornik/leskovacki-zbornik-18-1978.pdf|pp=117-140}} ⚫ * {{cite journal|last1=Ђокић|first1=Небојша|last2=Radovanović|first2=Radovan|title=Борбе на Косову и Метохији и Јужној Србији 1689–1690. годинe: оглед из српске војне историје|journal=Записи: годишњак Историјског архива Пожаревац|volume=10|year=2021|pp=113-129|url=https://jakov.kpu.edu.rs/handle/123456789/1877}} ⚫ * {{cite journal|last=Ђокић|first=Небојша|year=2008|title=Ратне операције у јужној и старој Србији и Маћедонији 1689 – 1690. године|journal=Лесковачки зборник|volume=XLVIII|publisher=Лесковац|pp=49-78|url=https://muzejleskovac.rs/wp-content/uploads/2019/07/zbornik-48-LVIII-2008.pdf}} {{refend}} {{refend}}

Renée Good protests ← Previous revision Revision as of 10:14, 4 May 2026 Line 105: Line 105: On the same day, newly elected New York City Mayor [[Zohran Mamdani]] announced he had "instructed city agencies, including the NYPD, to uphold New York's [[sanctuary city]] laws, and to not assist ICE agents in making arrests."<ref name="Moore" /> On the same day, newly elected New York City Mayor [[Zohran Mamdani]] announced he had "instructed city agencies, including the NYPD, to uphold New York's [[sanctuary city]] laws, and to not assist ICE agents in making arrests."<ref name="Moore" /> ⚫ ====Operation Salvo==== ⚫ {{excerpt|Operation Salvo|only=paragraphs|paragraphs=1}} {{excerpt|Operation Salvo#Announcement}} ====January 8, 2026==== ====January 8, 2026==== Line 117: Line 113: That night, there was another large protest, which again assembled in Foley Square.<ref name="Prussin">{{cite web |last1=Prussin |first1=Mark |last2=Ramos |first2=Andrew |last3=Williams |first3=Doug |last4=Ruchim |first4=Naomi |title=More ICE protests in New York City day after Minneapolis shooting |website=CBS News New York |publisher=CBS Broadcasting Inc. |date=January 8, 2026 |url=https://www.cbsnews.com/newyork/news/ice-protests-nyc-minneapolis-shooting-immigration-enforcement/ |access-date=January 10, 2026 |url-status=live }}</ref> The crowd had at least 500 people, according to police.<ref name="Prussin" /> About 300 people held a rally outside an ICE office in [[Buffalo, New York|Buffalo]].<ref>{{Cite web |last=Mroziak |first=Michael |date=January 9, 2026 |title=Buffalo protesters denounce ICE in response to fatal shooting in Minnesota |url=https://www.wamc.org/2026-01-08/buffalo-protesters-denounce-ice-in-response-to-fatal-shooting-in-minnesota |access-date=January 10, 2026 |publisher=WAMC |language=en |url-status=live }}</ref> That night, there was another large protest, which again assembled in Foley Square.<ref name="Prussin">{{cite web |last1=Prussin |first1=Mark |last2=Ramos |first2=Andrew |last3=Williams |first3=Doug |last4=Ruchim |first4=Naomi |title=More ICE protests in New York City day after Minneapolis shooting |website=CBS News New York |publisher=CBS Broadcasting Inc. |date=January 8, 2026 |url=https://www.cbsnews.com/newyork/news/ice-protests-nyc-minneapolis-shooting-immigration-enforcement/ |access-date=January 10, 2026 |url-status=live }}</ref> The crowd had at least 500 people, according to police.<ref name="Prussin" /> About 300 people held a rally outside an ICE office in [[Buffalo, New York|Buffalo]].<ref>{{Cite web |last=Mroziak |first=Michael |date=January 9, 2026 |title=Buffalo protesters denounce ICE in response to fatal shooting in Minnesota |url=https://www.wamc.org/2026-01-08/buffalo-protesters-denounce-ice-in-response-to-fatal-shooting-in-minnesota |access-date=January 10, 2026 |publisher=WAMC |language=en |url-status=live }}</ref> ⚫ ====Operation Salvo==== ⚫ {{excerpt|Operation Salvo#Announcement}} ===Alex Pretti protests=== ===Alex Pretti protests===

Nick-D deleted page Wikipedia:WikiProject Military history/News/May 2026/Op-ed G7: One author who has requested deletion or blanked the page – to retrieve it, see WP:REFUND

Results table ← Previous revision Revision as of 10:14, 4 May 2026 Line 170: Line 170: === Results table === === Results table === {{#invoke:Sports games |table |update=May 2, 2026 |font_size=80% {{#invoke:Sports games |table |update=May 4, 2026 |font_size=80% | team_order = ABR, BCD, BAS, BAN, BTG, BIÑ, BUL, CAL, CEB, GS, ILA, ILO, IMS, MNL, MAR, MYM, MDR, NEG, PAR, PSY, PSG, QZN, QC, RZL, SJ, SAR, VAL, ZAM | team_order = ABR, BCD, BAS, BAN, BTG, BIÑ, BUL, CAL, CEB, GS, ILA, ILO, IMS, MNL, MAR, MYM, MDR, NEG, PAR, PSY, PSG, QZN, QC, RZL, SJ, SAR, VAL, ZAM Line 188: Line 188: | m3_BCD_MNL = 67–73 | m3_BCD_MNL = 67–73 | m4_BCD_GS = 77–108 | m4_BCD_GS = 77–108 | m5_BCD_QC = May 4 | m5_BCD_QC = 83–93 | m6_BCD_CAL = May 7 | m6_BCD_CAL = May 7 | m7_BCD_QZN = May 12 | m7_BCD_QZN = May 12 Line 419: Line 419: | m3_QC_MYM = 78–69 | m3_QC_MYM = 78–69 | m4_QC_MAR = 85–79 | m4_QC_MAR = 85–79 | m5_QC_BCD = May 4 | m5_QC_BCD = 93–83 | m6_QC_ILO = May 8 | m6_QC_ILO = May 8 | m7_QC_VAL ^(H) = May 14 | m7_QC_VAL ^(H) = May 14

removed Category:Musical instrument user templates; added Category:String instrument user templates using HotCat ← Previous revision Revision as of 10:14, 4 May 2026 Line 7: Line 7: [[Category:Wikipedian mandolinists]] [[Category:Wikipedian mandolinists]] <noinclude> <noinclude> [[Category:Musical instrument user templates|Mandolin (Canaen)]] [[Category:String instrument user templates|Mandolin (Canaen)]] </noinclude> </noinclude>

← Previous revision Revision as of 10:14, 4 May 2026 Line 11: Line 11: The filming process of ''Mughal-e-Azam'' was physically taxing for Madhubala from the beginning. In one notable incident, she reportedly came close to suffocation while encased in heavy body paint to portray a [[marble]] statue.{{sfn|Akbar|2011|p=129}} Later, she committed to rigorous training under [[Kathak]] master [[Lachhu Maharaj]] for the "[[Mohe Panghat Pe Nandlal Chhed Gayo Re]]" musical sequence, despite being medically advised against dancing.{{sfn|Pandhye|2020|p=155}}{{sfn|Akbar|2011|p=147}} Notwithstanding these physical hardships, Madhubala remained dedicated to the production; she would continue filming ''Mughal-e-Azam'' intermittently over the next seven years while simultaneously working on other film projects.{{sfn|Akbar|2011|p=128}} The filming process of ''Mughal-e-Azam'' was physically taxing for Madhubala from the beginning. In one notable incident, she reportedly came close to suffocation while encased in heavy body paint to portray a [[marble]] statue.{{sfn|Akbar|2011|p=129}} Later, she committed to rigorous training under [[Kathak]] master [[Lachhu Maharaj]] for the "[[Mohe Panghat Pe Nandlal Chhed Gayo Re]]" musical sequence, despite being medically advised against dancing.{{sfn|Pandhye|2020|p=155}}{{sfn|Akbar|2011|p=147}} Notwithstanding these physical hardships, Madhubala remained dedicated to the production; she would continue filming ''Mughal-e-Azam'' intermittently over the next seven years while simultaneously working on other film projects.{{sfn|Akbar|2011|p=128}} Following Madhubala's break-up with Kumar, filming for ''Mughal-e-Azam'' was briefly suspended before resuming on the condition that it would be their final collaboration. The personal friction between the leads occasionally affected the production; notably, during a scene where Kumar's character was required to slap Anarkali, he reportedly struck Madhubala with actual force repeatedly. Despite the incident, Madhubala continued with the take and resumed filming after mediation by director K. Asif. The actors completed their remaining romantic sequences despite being no longer on speaking terms. Following Madhubala's break-up with Kumar, filming for ''Mughal-e-Azam'' was briefly suspended before resuming on the condition that it would be their final collaboration.{{sfn|Pandhye|2020|pp=155–156}} The personal friction between the leads occasionally affected the production; notably, during a scene where Kumar's character was required to slap Anarkali, he reportedly struck Madhubala with actual force repeatedly. Despite the incident, Madhubala continued with the take and resumed filming after mediation by director K. Asif.{{sfn|Pandhye|2020|pp=156–157}} The actors completed their remaining romantic sequences despite being no longer on speaking terms. ''Mughal-e-Azam'' and [[Om Prakash]]'s ''[[Gateway of India (film)|Gateway of India]]'' (1957) were the only two productions where Madhubala participated in late-night filming sessions, a practice Khan typically discouraged. By 1957, the majority of ''Mughal-e-Azam''<nowiki/>'s principal photography was complete. The remaining segments, which included the "[[Pyar Kiya To Darna Kya]]" musical number and the sequences involving Anarkali's imprisonment, were scheduled for a later filming phase. ''Mughal-e-Azam'' and [[Om Prakash]]'s ''[[Gateway of India (film)|Gateway of India]]'' (1957) were the only two productions where Madhubala participated in late-night filming sessions, a practice Khan typically discouraged. By 1957, the majority of ''Mughal-e-Azam'''s principal photography was complete. The remaining segments, which included the "[[Pyar Kiya To Darna Kya]]" musical number and the sequences involving Anarkali's imprisonment, were scheduled for a later filming phase.{{sfn|Pandhye|2020|p=158}} During the extended production of ''Mughal-e-Azam'' through 1958 and 1959, Madhubala's health significantly declined. For the sequences depicting her character's imprisonment, she insisted on utilizing authentic iron chains. The weight of these chains resulted in [[Abrasion (medicine)|skin abrasions]] and necessitated intervals of bed rest. Commenting on the filming conditions, contemporary [[Sitara Devi]] stated: "The chains, the continuous night shootings … killed her." During the extended production of ''Mughal-e-Azam'' through 1958 and 1959, Madhubala's health significantly declined. For the sequences depicting her character's imprisonment, she insisted on utilizing authentic iron chains. The weight of these chains resulted in [[Abrasion (medicine)|skin abrasions]] and necessitated intervals of bed rest. Commenting on the filming conditions, contemporary [[Sitara Devi]] stated: "The chains, the continuous night shootings … killed her." The musical sequence "Pyar Kiya To Darna Kya," filmed in [[Eastmancolor]], required complex choreography that Madhubala was medically advised to avoid due to her heart condition. To complete the scene, the production utilized professional dancer Laxmi Narayan as a body double for the long shots and wide-angle footwork. Narayan performed the choreography wearing a mask to resemble Madhubala filmed only for the close-up shots and facial expressions. Principal photography for ''Mughal-e-Azam'' eventually concluded in May 1959, by which time Madhubala was physically and mentally exhausted. The musical sequence "Pyar Kiya To Darna Kya," filmed in [[Eastmancolor]], required complex choreography that Madhubala was medically advised to avoid due to her heart condition. To complete the scene, the production utilized professional dancer Laxmi Narayan as a body double for the long shots and wide-angle footwork. Narayan performed the choreography wearing a mask to resemble Madhubala filmed only for the close-up shots and facial expressions.{{sfn|Pandhye|2020|pp=163–164}} Principal photography for ''Mughal-e-Azam'' eventually concluded in May 1959,{{sfn|Pandhye|2020|p=164}} by which time Madhubala was physically and mentally exhausted. --- ---

2003 ← Previous revision Revision as of 10:14, 4 May 2026 Line 220: Line 220: | style="text-align:right;"| May 23, 2003 || ''[[The In-Laws (2003 film)|The In-Laws]]''<ref name="Franchise" group=N /> || North American, U.K. and Irish distribution only; produced by [[Franchise Pictures]], [[Bill Gerber|Gerber Pictures]] and [[Furthur Films]] | style="text-align:right;"| May 23, 2003 || ''[[The In-Laws (2003 film)|The In-Laws]]''<ref name="Franchise" group=N /> || North American, U.K. and Irish distribution only; produced by [[Franchise Pictures]], [[Bill Gerber|Gerber Pictures]] and [[Furthur Films]] |- |- | style="text-align:right;"| June 20, 2003 || ''[[Alex & Emma]]''<ref name="Franchise" group=N /> || North American, U.K. and Irish distribution only; produced by [[Franchise Pictures]] and [[Escape Artists]] | style="text-align:right;"| June 20, 2003 || ''[[Alex & Emma]]''<ref name="MorganCreek" group=N /> || North American, U.K. and Irish distribution only; produced by [[Franchise Pictures]] and [[Escape Artists]] |- |- | style="text-align:right;"| July 2, 2003 || ''[[Terminator 3: Rise of the Machines]]''<ref name="Sony" group=N>Currently owned by [[Sony Pictures]] (via [[Columbia Pictures]]), which also distributed in most international territories</ref> || North American distribution only; produced by [[Intermedia Films]], IMF, [[C2 Pictures]] and [[Jonathan Mostow|Mostow]]/[[Hal Lieberman|Lieberman Productions]] | style="text-align:right;"| July 2, 2003 || ''[[Terminator 3: Rise of the Machines]]''<ref name="Sony" group=N>Currently owned by [[Sony Pictures]] (via [[Columbia Pictures]]), which also distributed in most international territories</ref> || North American distribution only; produced by [[Intermedia Films]], IMF, [[C2 Pictures]] and [[Jonathan Mostow|Mostow]]/[[Hal Lieberman|Lieberman Productions]]

Unlinking common words and/or phrases (and repeated linking of uncommon ones) - see MOS:OVERLINK ← Previous revision Revision as of 10:14, 4 May 2026 Line 9: Line 9: | birth_place = [[Grand Forks, North Dakota]], U.S. | birth_place = [[Grand Forks, North Dakota]], U.S. | death_date = {{death date and age |2017|03|31 |1933|11|29}} | death_date = {{death date and age |2017|03|31 |1933|11|29}} | death_place = [[New York City]], U.S. | death_place = New York City, U.S. | field = Painter, [[printmaker]], graphic artist | field = Painter, [[printmaker]], graphic artist | training = [[Minneapolis College of Art and Design]]<br>[[University of Minnesota]]<br>[[Art Students League of New York]] | training = [[Minneapolis College of Art and Design]]<br>[[University of Minnesota]]<br>[[Art Students League of New York]] Line 27: Line 27: ==Early life== ==Early life== Rosenquist was born on November 29, 1933, in [[Grand Forks, North Dakota]],<ref name="nytimes" /> the only child of Louis and Ruth Rosenquist. His parents were amateur pilots of [[Swedes|Swedish]] descent who moved from town to town to look for work, finally settling in [[Minneapolis, Minnesota]]. His mother, who was also a painter, encouraged her son to have an artistic interest. In junior high school, Rosenquist won a short-term scholarship to study at the [[Minneapolis College of Art and Design|Minneapolis School of Art]] and subsequently studied painting at the [[University of Minnesota]] from 1952 to 1954. In 1955, at the age of 21, he moved to [[New York, New York|New York City]] on scholarship to study at the [[Art Students League of New York|Art Students League]], studying under painters such as [[Edwin Dickinson]] and [[George Grosz]].<ref>{{cite web|url=http://www.artinfo.com/news/story/25939/in-the-studio-james-rosenquist/|title=In the Studio: James Rosenquist|last=Kastner|first=Jeffrey|date=November 22, 2007|publisher=artinfo.com|archive-url=https://web.archive.org/web/20080524084109/http://www.artinfo.com/news/story/25939/in-the-studio-james-rosenquist/|archive-date=May 24, 2008|url-status=usurped|access-date=April 21, 2008}}</ref> Talking about his experience at the Art Students League, Rosenquist said "I studied only with the abstract artists. They had commercial artists there teaching commercial work, I didn't bother with that. I was only interested in – see, here's how it started. I was interested in learning how to paint the Sistine Chapel. It sounds ambitious, but I wanted to go to mural school".<ref>{{Cite web|url=http://www.jamesrosenquiststudio.com|title=James Rosenquist Studio|last=exhibit-e.com|website=www.jamesrosenquiststudio.com|access-date=2018-04-28}}</ref> While studying in New York, Rosenquist took up a job as a chauffeur, before deciding to join the [[International Brotherhood of Painters and Allied Trades of the United States and Canada|International Brotherhood of Painters and Allied Trades]]. As a member of the union, Rosenquist would paint billboards around [[Times Square]], ultimately becoming the lead painter for [[Artkraft Strauss|Artkraft‐Strauss]] and painting displays and windows across Fifth Avenue.<ref name=":2">{{Cite news|url=http://www.theartstory.org/artist-rosenquist-james.htm|title=James Rosenquist Biography, Art, and Analysis of Works|work=The Art Story|access-date=2018-04-28|language=en-US}}</ref> By 1960, Rosenquist abandoned painting signs after a friend died by falling from scaffolding on the job.<ref name=":2" /> Instead of working on commercial pieces, he chose to focus on personal projects in his own studio, developing his own distinct style of painting that retained the kind of imagery, bold hues, and scale that he utilized while he painted billboards. Rosenquist was born on November 29, 1933, in [[Grand Forks, North Dakota]],<ref name="nytimes" /> the only child of Louis and Ruth Rosenquist. His parents were amateur pilots of [[Swedes|Swedish]] descent who moved from town to town to look for work, finally settling in [[Minneapolis, Minnesota]]. His mother, who was also a painter, encouraged her son to have an artistic interest. In junior high school, Rosenquist won a short-term scholarship to study at the [[Minneapolis College of Art and Design|Minneapolis School of Art]] and subsequently studied painting at the [[University of Minnesota]] from 1952 to 1954. In 1955, at the age of 21, he moved to New York City on scholarship to study at the [[Art Students League of New York|Art Students League]], studying under painters such as [[Edwin Dickinson]] and [[George Grosz]].<ref>{{cite web|url=http://www.artinfo.com/news/story/25939/in-the-studio-james-rosenquist/|title=In the Studio: James Rosenquist|last=Kastner|first=Jeffrey|date=November 22, 2007|publisher=artinfo.com|archive-url=https://web.archive.org/web/20080524084109/http://www.artinfo.com/news/story/25939/in-the-studio-james-rosenquist/|archive-date=May 24, 2008|url-status=usurped|access-date=April 21, 2008}}</ref> Talking about his experience at the Art Students League, Rosenquist said "I studied only with the abstract artists. They had commercial artists there teaching commercial work, I didn't bother with that. I was only interested in – see, here's how it started. I was interested in learning how to paint the Sistine Chapel. It sounds ambitious, but I wanted to go to mural school".<ref>{{Cite web|url=http://www.jamesrosenquiststudio.com|title=James Rosenquist Studio|last=exhibit-e.com|website=www.jamesrosenquiststudio.com|access-date=2018-04-28}}</ref> While studying in New York, Rosenquist took up a job as a chauffeur, before deciding to join the [[International Brotherhood of Painters and Allied Trades of the United States and Canada|International Brotherhood of Painters and Allied Trades]]. As a member of the union, Rosenquist would paint billboards around [[Times Square]], ultimately becoming the lead painter for [[Artkraft Strauss|Artkraft‐Strauss]] and painting displays and windows across Fifth Avenue.<ref name=":2">{{Cite news|url=http://www.theartstory.org/artist-rosenquist-james.htm|title=James Rosenquist Biography, Art, and Analysis of Works|work=The Art Story|access-date=2018-04-28|language=en-US}}</ref> By 1960, Rosenquist abandoned painting signs after a friend died by falling from scaffolding on the job.<ref name=":2" /> Instead of working on commercial pieces, he chose to focus on personal projects in his own studio, developing his own distinct style of painting that retained the kind of imagery, bold hues, and scale that he utilized while he painted billboards. ==Career== ==Career== Line 67: Line 67: ==Art market== ==Art market== The highest selling painting by the artist was ''Be Beautiful'' (1964), sold at [[Sotheby's]] by $3,301,000, on 14 May 2014.<ref>{{Cite web|url=https://www.sothebys.com/en/auctions/ecatalogue/2014/contemporary-art-evening-sale-n09141/lot.51.html?locale=en|title=Sotheby's|website=sothebys.com|access-date=3 February 2025}}</ref><ref>{{Cite web|url=https://www.artnet.com/artists/james-rosenquist/be-beautiful-zSs33UHp3EHRxLIfmjbvYw2|title=James Rosenquist|website=www.artnet.com|access-date=3 February 2025}}</ref> The highest price paid for one of his paintings is ''Be Beautiful'' (1964), sold at [[Sotheby's]] by $3,301,000, in May 2014.<ref>{{Cite web|url=https://www.sothebys.com/en/auctions/ecatalogue/2014/contemporary-art-evening-sale-n09141/lot.51.html?locale=en|title=Sotheby's|website=sothebys.com|access-date=3 February 2025}}</ref><ref>{{Cite web|url=https://www.artnet.com/artists/james-rosenquist/be-beautiful-zSs33UHp3EHRxLIfmjbvYw2|title=James Rosenquist|website=www.artnet.com|access-date=3 February 2025}}</ref> ==Personal life== ==Personal life== Rosenquist married twice and had two children.<ref name="nytimes" /> With his first wife, Mary Lou Adams, whom he married on June 5, 1960,<ref name="Current Biography">{{Cite book |url=https://books.google.com/books?id=gIU3AAAAMAAJ |title=Current Biography |publisher=H. W. Wilson Company |year=1970 |volume=31 |page=40}}</ref> he had one child: John.<ref name="nytimes" /> His first marriage ended in divorce.<ref name="nytimes" /> In 1976, a year after his divorce, he moved to [[Aripeka, Florida]]. His second wife was Mimi Thompson, whom he married on April 18, 1987, by whom he had one child: Lily.<ref name="The Scribner Encyclopedia of American Lives: M-Z">{{Cite book |url=https://books.google.com/books?id=IzQOAQAAMAAJ |title=The Scribner Encyclopedia of American Lives: M–Z |publisher=C. Scribner's Sons |year=2003 |isbn=9780684312224 |editor-last=O'Neill |editor-first=William L. |edition=illustrated |page=280}}</ref><ref name="nytimes" /> Rosenquist married twice and had two children.<ref name="nytimes" /> With his first wife, Mary Lou Adams, whom he married on June 5, 1960,<ref name="Current Biography">{{Cite book |url=https://books.google.com/books?id=gIU3AAAAMAAJ |title=Current Biography |publisher=H. W. Wilson Company |year=1970 |volume=31 |page=40}}</ref> he had one child: John.<ref name="nytimes" /> This marriage ended in divorce.<ref name="nytimes" /> In 1976, a year after his divorce, he moved to [[Aripeka, Florida]]. His second wife was Mimi Thompson, whom he married on April 18, 1987, and they had one child: Lily.<ref name="The Scribner Encyclopedia of American Lives: M-Z">{{Cite book |url=https://books.google.com/books?id=IzQOAQAAMAAJ |title=The Scribner Encyclopedia of American Lives: M–Z |publisher=C. Scribner's Sons |year=2003 |isbn=9780684312224 |editor-last=O'Neill |editor-first=William L. |edition=illustrated |page=280}}</ref><ref name="nytimes" /> On April 25, 2009, a fire swept through [[Hernando County, Florida]], where Rosenquist had lived for 30 years, burning his house, studios, and warehouse. All of his paintings stored on his property were destroyed, including art for an upcoming show.<ref>[http://www.miamiherald.com/living/story/1023391.html Miamiherald.com]</ref><ref>{{cite news| url=https://www.nytimes.com/2009/04/28/arts/design/28arts-POPARTISTSWO_BRF.html?_r=1 | work=The New York Times | title=Pop Artist's Works Lost in Studio Fire | first=Dave | last=Itzkoff | date=April 28, 2009 | access-date=October 15, 2010}}</ref> In April 2009, a fire swept through [[Hernando County, Florida]], where Rosenquist had lived for 30 years, burning his house, studios, and warehouse. All of his paintings stored on his property were destroyed, including art for an upcoming show.<ref>[http://www.miamiherald.com/living/story/1023391.html Miamiherald.com]</ref><ref>{{cite news| url=https://www.nytimes.com/2009/04/28/arts/design/28arts-POPARTISTSWO_BRF.html?_r=1 | work=The New York Times | title=Pop Artist's Works Lost in Studio Fire | first=Dave | last=Itzkoff | date=April 28, 2009 | access-date=October 15, 2010}}</ref> ==Death== ==Death== Rosenquist died at his home in [[New York City]] on March 31, 2017, after a long illness; he was 83 years old.<ref name="nytimes">{{Cite news |url=https://www.nytimes.com/2017/04/01/arts/james-rosenquist-dead-pop-art.html |title=James Rosenquist, Pop Art Pioneer, Dies at 83 |last=Johnson |first=Ken |access-date=2 April 2017 |work=[[The New York Times]] |date=April 2017 |location=1 April 2017}}</ref><ref name="theguardian">{{Cite news |url=https://www.theguardian.com/artanddesign/2017/apr/01/james-rosenquist-pop-artist-f-111-dies-83 |title=James Rosenquist, pop artist who painted the famous F-111, dies aged 83 |last=Pengelly |first=Martin |access-date=2 April 2017 |work=[[The Guardian]] |date=2 April 2017}}</ref> His survivors include his wife, Thompson; one daughter, Lily; one son, John; and a grandson, Oscar.<ref name="nytimes" /> Rosenquist died at his home in New York City on March 31, 2017, after a long illness; he was 83 years old.<ref name="nytimes">{{Cite news |url=https://www.nytimes.com/2017/04/01/arts/james-rosenquist-dead-pop-art.html |title=James Rosenquist, Pop Art Pioneer, Dies at 83 |last=Johnson |first=Ken |access-date=2 April 2017 |work=[[The New York Times]] |date=April 2017 |location=1 April 2017}}</ref><ref name="theguardian">{{Cite news |url=https://www.theguardian.com/artanddesign/2017/apr/01/james-rosenquist-pop-artist-f-111-dies-83 |title=James Rosenquist, pop artist who painted the famous F-111, dies aged 83 |last=Pengelly |first=Martin |access-date=2 April 2017 |work=[[The Guardian]] |date=2 April 2017}}</ref> His survivors include his wife, Thompson; one daughter, Lily; one son, John; and a grandson, Oscar.<ref name="nytimes" /> ==References== ==References==

←Created page with 'The Commercial Vehicles Division was spun off from Voith Turbo as Driventic in November 2025, as an independent company with around 1400 employees in 18 countries <ref>{{Cite web |title=2025-11-03 VZ Voith successfully completes carve-out of Commercial Vehicles division {{!}} Voith |url=https://www.voith.com/corp-en/news-room/press-releases/2025-11-03_voith-successfully-completes-carve-out.html |access-date=2026-05-04 |website=www.voith.com |language=en}}</...' New page The Commercial Vehicles Division was spun off from Voith Turbo as Driventic in November 2025, as an independent company with around 1400 employees in 18 countries <ref>{{Cite web |title=2025-11-03 VZ Voith successfully completes carve-out of Commercial Vehicles division {{!}} Voith |url=https://www.voith.com/corp-en/news-room/press-releases/2025-11-03_voith-successfully-completes-carve-out.html |access-date=2026-05-04 |website=www.voith.com |language=en}}</ref><ref>{{Cite web |title=Driventic beschäftigt 1400 Mitarbeitende |url=https://www.ihk.de/ostwuerttemberg/servicemarken/presse/magazin/firmenreport/driventic-beschaeftigt-1400-mitarbeitende-6834412 |website=Industrie- und Handelskammer Ostwürttemberg}}</ref><ref>{{Cite web |last=Behrens |first=Sonja |date=2025-11-19 |title=Driventic geht mit eigener General Counsel an den Start |url=https://www.juve.de/markt-und-management/driventic-geht-mit-eigener-general-counsel-an-den-start/ |access-date=2026-05-04 |website=juve.de |language=de}}</ref>. Driventic's headquarter is located in [[Heidenheim an der Brenz]]. Driventic focuses on the bus, truck and off-highway applications with products including [[Retarder_(mechanical_engineering)|retarder]], retarder clutch, Electric Drive System (former [https://www.voith.com/corp-en/drives-transmissions/voith-electrical-drive-system-for-trucks.html Voith Electrical Drive System]), automatic transmission DIWA, DIWA NXT (former [[Voith_DIWA|Voith DIWA]]), air compressor, vibration damper and exhaust heat recovery solutions (Turbocompound).

Template:Wrexham A.F.C. Young Player of the Year: Reply ← Previous revision Revision as of 10:14, 4 May 2026 Line 88: Line 88: I have no issues at all with a 'Player of the Year' navbox, and plenty of them in {{cat|Association football club Player of the Year navigational boxes}} - but what about {{tl|Wrexham A.F.C. Young Player of the Year}}? I think it's overkill, and as far as I can see, the only one of its kind... [[User:GiantSnowman|Giant]][[User talk:GiantSnowman|Snowman]] 21:15, 3 May 2026 (UTC) I have no issues at all with a 'Player of the Year' navbox, and plenty of them in {{cat|Association football club Player of the Year navigational boxes}} - but what about {{tl|Wrexham A.F.C. Young Player of the Year}}? I think it's overkill, and as far as I can see, the only one of its kind... [[User:GiantSnowman|Giant]][[User talk:GiantSnowman|Snowman]] 21:15, 3 May 2026 (UTC) :Yeah I always felt it was overkill. [[User:EchetusXe|Echetus]][[User talk:EchetusXe|'''X'''e]] 10:14, 4 May 2026 (UTC)